Sacrarum cantionum (vulgo hodie moteta vocant) quinque et sex vocum, liber secundus.

Details

Standardised Title	Sacrarum cantionum (vulgo hodie moteta vocant) quinque et sex vocum, liber secundus.
Transcribed Title	SACRARVM CANTIO- / NVM (VVLGO HODIE MOTETA VOCANT) / QVINQVE ET SEX VOCVM AD VERAM HARMONIAM / concentumque ab optimis quibusque Musi- / cis in philomusorum gratiam / compositarum. / Liber secundus.
Date	1555
Imprint	ANTUERPIAE. / Excudebant Hubertus VVaelrandus & Ioannes Latius. / An. M. D. LV/ Cum Gratia & Priuilegio.
Format	Copy at A.103.(2.). SVPERIVS (16 leaves); CONTRATENOR (16 leaves); TENOR (16 leaves); BASSVS (16 leaves); Superius: [1-2] iii-iiii [5-7] viii-xxi, xxiij, xxlij, xxiiij, xxiiij, xxvi-ii, xxvii, xxix-xxxi [32] Contratenor: [1-2] iii-xxvij, xvi, xxix-xxxi [32] Tenor: [1-2] iii-xi, vij, xiij-xxxi [32] Bassus:[1-2] iii-xix [20] xxj-xxxi [32]; paper dimensions: 153 x 195 mm.
Place	Antwerp, Belgium
Subject	Motets
Language	Latin
Type	Printed music
Source	British Library A.103.(2.).
Related Resource	R. Weaver: A Descriptive Bibliographical Catalog of the Music Printed by Hubert Waelrant and Jan de Laet (Warren, MI, 1995), no. 3. R. Weaver: Waelrant and Laet: Music Publishers in Antwerp’s Golden Age (Warren, MI, 1995). Harry B. Lincoln, The Latin Motet: Indexes to Printed Collections, 1500-1600 (Ottawa: Institute of Medieval Music, 1993).

Identifiers

RISM B/I, 1555⁶

Persistent URL for this page: http://purl.org/rism/BI/1555/6

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Notes

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All five-part motets except for the last four, which are for 6 voices.

With an index at the front.

With a dedication to Culmann Asschenhaymer of Mosbrunn in Latin in the bassus part book only.

The contratenor part book only is dated 1554.  

Part book names are included on the title page of the Tenor and Basus part books only.

Copy at A.103.(2.). Lacking the quinta pars part book (which would also have contained the sexta pars).

Indexed names

Asschenhaymer, Culmann of Mosbrunn, dedicatee.  
Clemens non Papa, Jacobus, ca. 1510-ca. 1555, composer.  
Crecquillon, Thomas, d. 1557?, composer.  
De Latre, Petit Jean, ca. 1510-1569, composer.  
Gombert, Nicolas, 16th cent., composer.  
Hollander, Christian, ca. 1510-1568 or 9, composer.  
Laet, Jean, ca. 1525-ca. 1567, printer.  
Maillard, Jean, fl. 1538-1572, composer.  
Tubal, Adrian, fl. 1553–6, composer.  
Waelrant, Hubert, 1516 or 17-1595, printer.  
Zaccheus, Joannes, composer.

 

Table of Contents

Deus misereatur nostri (secunda pars: Laetentur et exultent gentes) / Cricquillion -- Omnes ge[n]tes atte[n]dite / Maillart -- Domine probasti me proba (secunda pars: Proba me d[omi]ne) / Clemens non Papa -- Philippe qui videt me (secunda pars: Tanto tempore vobiscum sum) / Zacheus -- Caesar habet naves validas / Clemens non Papa -- Extraneus factus sum fratibus meis / Petit Jan -- Dum tra[n]sisset sabbatu[m] Maria / A Tubal -- Et valde mane una sabbato / A Tubal -- Praemia pro validas ausis (headed: Epitaphium comitis Burensis) (secunda pars: Scilicet et morie[n]s) / Cricquillion -- Cum esset Anna amaro (Quintus: Sancta Margareta ora pro nobis) (secunda pars: Cognovit aute[m] Helchana; tertia pars: Offerens puerum Heli ait Anna) / A Tubal -- Tota pulchr es amica mea (secunda pars: Surge propera amica mea) / Clemens non Papa -- In illo tempore dicebant (secunda pars: Sed cu[m] facis co[n]vivium) / Gombert -- Qualis est dilecta me / Petit Jan -- Laude[m] dicite deo nostro (secunda pars: Gaudeamus et exultemus) / Hollandus -- O Magnu[m] mysteriu[m] (secunda pars: Domine audivi auditu[m] tuu[m]) / Clemens non Papa.