Sacrarum cantionum (vulgo hodie moteta vocant) quinque & sex vocum, ad veram harmoniam concentiumque ab optimis quibusque musicis, in philomusorum gratiam compositarum. Liber quintus.

Summary

Collection of motets in five or six parts.

Details

Standardised TitleSacrarum cantionum (vulgo hodie moteta vocant) quinque & sex vocum, ad veram harmoniam concentiumque ab optimis quibusque musicis, in philomusorum gratiam compositarum. Liber quintus.
Transcribed TitleSVPERIVS / SACRARVM CANTIO- / NVM (VVLGO HODIE MOTETA VOCANT) / quinque & sex vocum,ad veram harmoniam concentiumque / ab optimis quibusque Musicis,in philomusorum / gratiam compositarum. / Liber quintus.
Date[1556]
ImprintANTUERPIAE, / Excudebat Hubertus VVAelrandus & / Ioannes Latuis / Cum gratia & Priuilegio.
FormatCopy at A.103.b. SVPERIVS (16 leaves), TENOR (16 leaves), CONTRATENOR (16 leaves), BASSVS (16 leaves), QVINTA ET SEXTA PARS (20 leaves); original pagination: Superius: [1-2] iii [4] v [6] vii-viij [9] x [11] xij [13] xiiij [15] xvi [17] xviij [19] xx [21-23] xiiij [25] xxvj [27] xxviij [29-32] Tenor, Contratenor, Bassus: [1-2] iii [4] v [6] vii-viij [9] x [11] xij [13] xiiij [15] xvi [17] xviij [19] xx [21-23] xxiiij [25] xxvj [27] xxviij [29-32] Quinta and sexta pars: [1-2] iii [4] v [6] vii-viij [9] x [11] xij [13] xiiij [15] xvi [17] xviij [19] xx [21-23] xxiiij [25-27] xxvj [29-31] xxviij [33-40]; paper dimensions: 131 x 195 mm.
PlaceAntwerp, Belgium
SubjectMotets
LanguageLatin
TypePrinted music
Source

British Library A.103.b

Related Resource

R. Weaver: A Descriptive Bibliographical Catalog of the Music Printed by Hubert Waelrant and Jan de Laet (Warren, MI, 1995), No. 14.

Harry B. Lincoln, The Latin Motet: Indexes to Printed Collections, 1500-1600 (Ottawa: Institute of Medieval Music, 1993). 

Identifiers

RISM B/I, 15567

Persistent URL for this page: http://purl.org/rism/BI/1556/7

Citation guide

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Notes

Click 'View Music' above to turn the pages of this digitised book online.  See below for a PDF file you can save to your computer and print.

Transcribed title page from superius part book.

With table of contents.

All five part works except for the last three, which are for six voices.

Copy at A.103.b. There are manuscript annotations, including accidentals and ‘barlines’, on several motets in all part books: ‘Sancte Martine confessor’, ‘Quem vidistis pastores’, ‘Vidit Iacob’ and ‘Domine quis habitabit’. The names of these pieces are also marked with crosses in the index of the superius part book. The tenor part book also has some of the text crossed out in ‘Sancte Martine confessor’ and ‘Quem vidistis pastores’; the motet ‘Vidit Iacob’ has a number written in the margin of each stave in every part book. This appears to be the numbers of semibreves in each line, and these are totalled at the bottom of the page; some missing page numbers have been added by hand in the superius part book; Sig.D4 in the Quinta and Sexta pars part book has a small, irregularly cut (and illegible) fragment of music and text pasted onto the blank staves.

Indexed names

Clemens non Papa, Jacobus, ca. 1510-ca. 1555, composer. 
Crecquillon, Thomas, d. 1557?, composer. 
Crespel, Jean, 16th cent., composer. 
Gombert, Nicolas, 16th cent., composer. 
Laet, Jean, ca. 1525-ca. 1567, printer. 
Maillard, Jean, fl. 1538-1572, composer. 
Moreau, Symon, fl. 1553-1558, composer. 
Tubal, Adrian, fl. 1553-6, composer. 
Waelrant, Hubert, 1516 or 17-1595, printer and composer.

Table of Contents

Sancte Martine confessor domini (secunda pars: O magnum virum sacerdotum) / Clemens non papa -- Quem vidistis pastores dicite (secunda pars: Angelus ad pastores ait) / A. Tubal -- Afflictus sum & humiliatus sum / Vuaelrant -- Jam non dicam vos servos / Maillart -- Ecce ego mitto vos (secunda pars: Dum lucem habetis credite in lucem) / Moreau -- Quid quaeritis viventem cu[m] mortuis / Crespel -- Comedetis carnes & saturabimini panibus (secunda pars: Non Moyses dedit vobis panem) / Moreau -- Musica diligitur (secunda pars: Ergo noscetis modulamina) / Clemens non papa -- Vidit Jacob schalam (secunda pars: O quam metuendus est locus iste / Cricquillon -- Domine quis habitabit in tabernaculo tuo (secunda pars: Ad nihilem deductus est) / Gombert -- Confitebor tibi domine / Vuaelrant -- Memor esto verbi tui servo tuo -- Mulierum fortem quis inveniet (secunda pars: Reddet ei bonum & non malum) / Clemens non papa.

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