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Collection of motets in four parts.
K.3.d.12.
U. Meissner, Der Antwerpener Notendrucker Tylman Susato (Berlin: Verlag Merseburger, 1967).
Harry B. Lincoln, The Latin Motet: Indexes to Printed Collections, 1500-1600 (Ottawa: Institute of Medieval Music, 1993).
John Milsom, ‘The Nonsuch Music Library’, in Chris Banks, Arthur Searle and Malcolm Turner (eds.), Sundry Sorts of Music Books: Essays on The British Library Collections, Presented to O. W. Neighbour on his 70th Birthday (London, 1993), 146-82.
RISM B/I, 15548
Persistent URL for this page: http://purl.org/rism/BI/1554/8
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Both Lincoln and Meissner attribute ‘Tota pulchra es’ to C. Morel (Clement Morel). However, the Grove entry for ‘Morel’ indicates that there are chanson publications with attributions to Clement Morel which have been subject to the same erasures of the first name seen in this copy, suggesting they are misattibuted to Clement. There were several other musicians named Morel active at this time including: a Morel who may have been in the service of Henry Fitzalan, Earl of Arundel; Jenin Morel, a singer in the chapel of Charles V; and Nicholas Morel, maître des enfants de choeur at Rouen Cathedral.
Copy at K.3.d.12. From the Lumley library. Morel’s first name has been erased in the index and above the score in all parts.
Indexed names
Benedictus Appenzeller 16th cent., composer.Jacobus Clemens non Papa ca. 1510-ca. 1555, composer.Thomas Crecquillon d. 1557?, composer.Jean Crespel 16th cent., composer.D Curingen composer.Antonius Galli d. 1565, composer.Nicolas Gombert 16th cent., composer.Claude Goudimel d. 1572, composer.Jean Guyot 1512-1588, composer.Clément Morel composer.Tielman Susato fl. 1529-1561, printer.Philip van Wilder d. 1553, composer.Jacobus Vaet ca. 1529-1567, composer.John Lumley Lumley Baron, 1534?-1609 former owner.Henry Fitz Alan Arundel Earl of, 1512-1580 former owner.
In illo tempore accesserunt (secunda pars: Propter hoc dimittet) / Incertus autor -- Ego dominus hoc est nomen (secunda pars: Venite ergo ad me omnes) (Headed: Esaie.xlij) / Incertus autor -- Quid retribuam domino (secunda pars: O Domine quia ego servus tuus) (Headed: Psalmo cxv) / Antho. Galli -- Virgo gloriosa (secunda pars: Domine Jesu Christe) / Tho. Cricquillon -- Cantibus organicis Christi (secunda pars: Fundite cantores) / Ni. Gombert -- Tota pulchra es amica mea / Morel. -- Domine, quid multiplicati sunt (secunda pars: Ego dormius & soporatus su[m]) / Goudemel -- Civitatem istam circunda (Secunda pars: Avertatur furor tuus) / Incertus autor -- Usquequo domine oblivisceris (secunda pars: Illumina oculos meos) / Curingen -- Puelle saltanti imperavit mater (secunda pars: Domine mi rex) / Antho. Galli -- O Bone Jesu salvator mundi / Incertus autor -- Dominus regnavit decorum (secunda pars: Elevaverunt flumina domine) (Headed: Psalmus xcij) / Joan. Castileti -- O Maria templum dei (secunda pars: Mundum ornas novo flore) (Headed: De Domina) / Incertus Autor -- Pater noster qui es in coelis (secunda pars: Ave maria gratia plena) / Philippe de Vuildre -- Ave gertrudis virgo grata (secunda pars: Virgo nunc fidelis ora) (Headed: De Diva Gertrude) / Incertus autor -- Benedicam dominam in omni tempore (Secunda pars: Accedite ad eum) (Headed: Psalmus xxxiij) / Joannes Crispel -- In illo tempore dixit (secunda pars: Pacem relinquo vobis) / Benedictus Appenzeller -- Beati omnes qui timet dominum (secunda pars: Ecces it benedicetur) / Benedictus Appenzeller -- Domine exaudi orationem meum (secunda pars: Ne reminiscaris domine) (Headed: Psalmus Centesimus Primus) / Ja. Vaet -- O quam gloriosa (Headed: De Sancta Barbara) / Incertus autor -- Gaude foelis anna (secunda pars: Gaude foelix anna) (Headed: De Sancta Anna) / Clemens non Papa -- Usquequo domine oblivisceris (Headed: Psalmus xij) -- Incertus autor.