Selectissimorum pro testudine carminum liber. Continens optimas aliquot fantasias, paduanas, passomezos & gaillardas.

Details

Standardised Title	Selectissimorum pro testudine carminum liber. Continens optimas aliquot fantasias, paduanas, passomezos & gaillardas.
Transcribed Title	SELECTISSIMORVM PRO / TESTVDINE CARMINVM LIBER. / Continens optimas aliquot Fantasias, Paduanas, Passomezos & Gaillardas, à Francisco & / Petro Paulo Mediolanensibus, alijsque praestanti[ss]imis diuinae Musices / auctoribus, compositas. /
Date	1573
Imprint	LOVANII. / Excudebat Petrus Phalesius, sibi & Ioanni Bellero Bibliopolae Antuerpiensi. / M. D. LXXIII.
Format	Copy at K.1.c.8.(2.). 40 leaves; paper dimensions: 150 x 197 mm.
Place	Louvain, Belgium
Subject	Lute music
Type	Printed music
Source	British Library K.1.c.8.(2.).  Description of source in British Library catalogue
Related Resource	Henri Vanhulst, Catalogue des éditions de musique publiées à Louvain par Pierre Phalèse et ses fils 1545–1578 (Brussels: Palais des Académis, 1990), No.168. H.M. Brown, Instrumental music printed before 1600 : a bibliography (Cambridge, MA: Harvard University Press, 1965), No. 1573/8.

Identifiers

RISM B/I, 1573²³

Notes

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A new edition of Carminum pro testudine. Liber iiii (Leuven: Phalèse, 1546), RISM 1546²⁸.

With woodcut of musicians on the title page.

’Paduana duabus testud.’ and ’Carracossa’ are both for two lutes.

Attributions taken from Henri Vanhulst, Catalogue des éditions de musique publiées à Louvain par Pierre Phalèse et ses fils 1545–1578 (Brussels: Palais des Académis, 1990), No. 168 and No. 3.

Indexed names

Phalèse, Pierre, b. ca. 1510, printer.  
Beller, Jean, 1526-1595, printer.  
Borrono, Pietro Paolo, composer.  
Francesco, da Milano, 1497-1543, composer.

Table of Contents

Fantasia / Francisci Mediolanensis -- Fantasia / Francisci Mediolanensis -- Fantasie / de Francoys de Milan -- Fantasia / de Petro Paulo da Milano -- Fantasia / da Francesco da Milana -- Fantasie / de Pierre Paule Barron -- Paduana I / [Pietro Paolo Borrono] -– Paduana -- Paduana III / [Pietro Paolo Borrono] – Paduana / [Pietro Paolo Borrono ] -- Paduana V / [Pietro Paolo Borrono ] -- Paduana VI / [Pietro Paolo Borrono ] -- Paduana VII / [Pietro Paolo Borrono ] -- Paduana VIII / [Pietro Paolo Borrono ] – [untitled pavan] / [Pietro Paolo Borrono ] -- Paduana X -- Paduana XI – Paduana -- Passa mezo a la batailla -- Passa mezo deuaccas – Paduana -- Paduana duabus testud. -- Passa mezo – Paduana – Paduana -- Gailiarda I -- Galiarda II / [Pietro Paolo Borrono] -- Galiarda III [Pietro Paolo Borrono ] -- Galiarda IIII / [Pietro Paolo Borrono] -- Galiarda V / [Pietro Paolo Borrono] -- Galiarda VI / [Pietro Paolo Borrono] -- Galiarda VII / [Pietro Paolo Borrono] -- Galiarda VIII / [Pietro Paolo Borrono] -- Galiarda IX / [Pietro Paolo Borrono] -- Galiarda X / [Pietro Paolo Borrono] -- Galiarda XI / [Pietro Paolo Borrono] -- Galiarda XII / [Pietro Paolo Borrono] -- [Untitled galliard] / [Pietro Paolo Borrono] – Galiarda / [Pietro Paolo Borrono] -- [Untitled Galliard] / [Pietro Paolo Borrono] -- [Untitled Galliard] – Galiarda – Bourata – Bourata – Almande – Almande -- Quatre branles – Carracossa – Romanescha.